2025 The Listening Biennial: Third Listening

TheCube Project Space is honored to be invited to participate in The Listening Biennial 2025, a global exhibition connecting 25 institutions holding listening-related exhibitions and events in their respective locations. TheCube’s participation includes establishing a physical listening room in Taipei and launching a series of online sound programs to explore the deep yet often overlooked historical and sonic connections between Taiwan and Southeast Asia.

Founded in 2021 by artist and writer Brandon LaBelle, The Listening Biennial is an international exhibition platform organized in collaboration with a global team of curators and scholars. The biennial aims to connect artists, researchers, and institutions worldwide, exploring “listening” as a method of social, political, and ecological engagement. The third edition, titled “Third Listening,” will take place from September 20 to November 16, 2025, encouraging participants to move beyond superficial auditory reception toward a more empathetic, critical, and historically aware mode of listening.

As part of this global initiative, TheCube Project Space will set up a listening room in its space, exhibiting 27 sound works from around the world that are part of this year’s biennial. This will provide a direct and simultaneous opportunity for local Taiwanese audiences to engage in this global sound culture event.

More Information:
The Listening Biennial: https://listeningbiennial.net

About 2025 The Listening Biennial: Third Listening

Curatorial Statement

“So many stars are twinkling above me that I can hear them. I listen to their hum, countless voices whispering in my ear. I can imagine what they’re saying to me. I’m carrying the whole universe on my shoulders. We all do, all of us.” – Nona Fernández, Voyager

The third edition of The Listening Biennial invites us to tune into the humming stars above and the countless voices they carry. These are voices of love and loss, voices that hold the past while evoking a future, and that resound with mystery and force, threading cosmic matter and embodied life with their potent stories. While our terrestrial, material existence demands increasingly committed forms of engagement, the cosmic voices above may continue to offer guidance in becoming-relatives. To look up is to listen out for a plurality of life-forms as well as pathways of connection found between here and there. The Listening Biennial aims at fostering a time and space in which such interstitial listenings may flourish.

Presented across a constellation of partner institutions and spaces located in different regions of the world, and in collaboration with associated collectives and creative initiatives, The Listening Biennial takes shape through the concept of Third Listening, emphasizing the intersubjective and interdependent. Third Listening is imagined as a form of interstitial listening intent on sensing and staying with the differential urgencies spanning cultural and material worlds. Third Listening is a listening done together and in spite of exclusionary systems, lending to acts of speaking-with and the embodied, living ethics that support diverse abilities. This includes holding the tension inherent to hospitality, where coexistence requires the ongoingness of struggle, imagination, courage and protection.

Third Listening as a framework has been developed through workshops, conversations and collaborative testings over the past year, involving many contributors and interlocutors in different places and contexts. These have been vital situations for reflecting upon the concept as well as opening onto ways of enacting a third listening dynamic. From contending with current polarizations to honoring the shared vitality of planetary life, such interstitial listening follows the pulse of a thick relationality defining contemporary experience. These are rhythmic, entangled and messy states of being mobilized to foster reparative action and the maintenance of material partnerships. Carrying the Third invites ways of committing to each other.

Following the concept of Third Listening, The Listening Biennial features artists, musicians, researchers and activists whose works give expression to the intersubjective and interdependent, animating the specters and stories of planetary coexistence. These are elaborated through a multi-faceted program of exhibition presentations, listening situations, intimate gatherings, discursive and performance events, and explorative workshops taking place across 25 locations over two months. This includes a program of online conversations aimed at bridging locations and languages as well as the publication of a series of audio papers by invited contributors.

Since 2021, The Listening Biennial has sought to foster research and discussion on listening, recognizing its transformative power as key to enriching personal lives and social initiatives, and which supports ethical, political practices. The third edition of The Listening Biennial is offered as a listening journey, inviting intimacy and the critical joy of collective worldings.

Exhibiting Artists: Florence Cats/Lilja María Ásmundsdóttir (Belgium/Iceland), Rachel S. Y. Chen (Singapore), Kaur Chimuk (India), Čhoakkeladd (Kashmir), Chong Li-Chuan (Singapore), Mariana Pinto Coelho Dias (Portugal), MycoDyke (India), Hear & Found (Thailand), Shwe Wutt Hmon (Myanmar/Thailand), Lynn Nandar Htoo (Myanmar/Cambodia), Lagos Sound Artists Collective (Nigeria), Okui Lala, Ana Estrada, Nasrikah (Malaysia/Australia/Indonesia), Nicole L’Huillier (Chile/Germany), Subash Thebe Limbu (Nepal/United Kingdom), Elena Lucca (Argentina), Imaad Majeed (Sri Lanka), Yara Mekawei (Egypt), Graciela Muñoz (Chile), Jacqueline Nova (Belgium/Colombia), Lujáne Vaqar Pagganwala (Pakistan/United Kingdom), Amanda Piña (Austria/México), Ruhail Qaisar (Ladakh), Superlative Futures (Singapore), Irazema H. Vera (Peru), Valentina Villarroel (Chile), YIM Sui Fong (Hong Kong), zeropowercut (India)

Curators: Soledad García Saavedra, Alecia Neo and Suvani Suri with Brandon LaBelle

Curatorial Partners: Luís Alvarado / Nicolás Kisic Aguirre, Mario Asef, Florencia Curci / Julia Rossetti / Mene Savasta Alsina, Bárbara González, Sara Hamdy, Bojana (S) Knežević, Isuru Kumarasinghe & Sara Mikolai, Israel Martínez, Ng Kah Gay, Lukas Quist Lund / Lucy Cathcart Frödén, Hara Alonso, Bukola Oyebode-Westerhuis, Elif Gülin Soğuksu / Banu Çiçek Tülü / Merve Ünsal, Alexandre St-Onge, Lucia Udvardyova, Yang Yeung

Artistic Director: Brandon LaBelle

Associate Directors: Elizabeth Gallón Droste, Pablo Torres Gómez

Partner Institutions, Oganizations and Venues: Radio CASo; Espacios del Arte Sonoro (UNTREF); Centro Cultural San Martín (Buenos Aires), Centro del Sonido (Lima), Centro de Extensión Palacio Pereira (Santiago), Parque Escuela (Valparíso), La Puerta Azul (Ajijic), L’École d’art de l’Université Laval (Quebec City), Musicmatters (Colombo), Foundation for Indian Contemporary Art; Khoj Studios (New Delhi), soundpocket (Hong Kong), TheCube Project Space (Taipei), Sigisora; Forum Lenteng (Jakarta), Center for Contemporary Art (Lagos), Sonic Spaces (Cairo), Avto (Istanbul), Rabt (Tehran), Fylkingen (Stockholm), Culture Sound Zone (Malmö), Ballhaus Ost; daadgalerie (Berlin), Lydgalleriet (Bergen), Simian; Mjølnerparken (Copenhagen), CAM-Gulbenkian (Lisbon), aacehmmmmpprv Critical Listening Group (Barcelona), Aural Pluralities (London), bruno; Sound Studies Hub, University of Venice (Venice), Easterndaze (Varna), Cultural Center of Belgrade (Belgrade), Firefly Frequencies (online), Art:Dis Singapore; Ethos Books; LASALLE College of the Arts; Objectifs Centre for Photography and Film; Singapore Night Festival (Singapore), Transients (Seoul), Tselinny Center of Contemporary Culture (Almaty)

Organizers|TheCube Project Space

Sponsors|National Culture and Arts Foundation, Act for the Future

2025 THE LISTENING BIENNIAL: Third Listening

Dates: 20 September – 16 November 2025, 2:00 PM – 8:00 PM, Wednesday to Sunday
Venue: TheCube Project Space

Online Activities and Presentations

1.Online Lecture: Tamil Folk Songs in Malaysian Plantations

Date/Time: September 12, 2025 (Fri) 7:00 pm – 9:00 pm (UTC+8)
Speaker: Gogu(Gogularaajan Rajendran)
Host: Au Sow Yee
*The lecture will be in English with real-time translation in preferred languages available.

Online lecture registration link: https://forms.gle/b8dzBSnrjPJPgmai6
*Please register online and leave your email address. We will send you the online lecture link one day before the event.

2.  Online Publish: A History of Malaysia’s Punk Generation and Its Sounds

Speaker:Joe Kidd
Origin:Restless Moon Exhibition Opening Talk
Link:https://youtu.be/uP-HIFp-T68

3. Online Publish: THE ETHICAL TROUBADOUR: How To Keep It Real While Navigating Through Moral Panics And ‘Yellow Cultures’ In Malaysia

Performer:Azmyl Yunor
Origin:Restless Moon Exhibition Event
Link:Expected to be released on October 2nd.

4. “Sound Meridian” Website Relaunch

Scheduled to go live on October 8th.

Date:
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