Talk
Stranger Next Door Lecture Series (Grilling Borders Satellite Program)
Stranger Next Door Lecture Series in the summer of 2024 starts from reflections on Grilling Borders. TheCube invites 3 groups of researchers, writers, and artists from Indonesia, Malaysia and Taiwan to deliver 3 lectures from the perspectives of literature, visuals, history, society, and politics. A multi-dimensional discussion on ethnic and national borders will take place at TheCube on 3 consecutive Saturday from 29th June. The word "Stranger" in the original Greek text refers to "the people outside the fence, that is, the alien people." Stranger Next Door Lecture Series originated from some thoughts on Taiwan's southward policy.
2017 Praxis School: History and Body, Network and Society
The 2017 Praxis School invites four social practitioners/cultural researchers to serve as the lecturers in three thematic sessions. Po-Wei Chen, the founding leader of the former Black Hand Nakasi – Workers’ Band, leads the first session Body, Space and Memory (incl. three workshops), followed by The Historical Context in the Cold-War Structure (incl. three lectures) that small-theater director and cultural critic Mo-Lin Wang curated as the second. Organized by cultural researcher Sun-Quan Huang and Internet activist Shih-Chieh Ilya Li, the third session Network and Society (incl. six lectures/workshops) is scheduled for launch in the second half of 2017.
Archive Frenzy – On the practice and methods of archives
For this lecture series, four panels of speakers have been invited to open up discussions on the significance and applications of “archives” in contemporary art production: I. How and why do artists utilize archives; II. Archives and thought patterns; III. Archives and Freedom of Speech; IV. Fieldwork, documentation, and archive.Through these themes and cross-sections of archives and its relevance in contemporary art explored in these four lectures, we hope to illustrate the complex relationship of archives with concepts, actions, and applications; as well as to raise follow-on questions worthy of attention and exploration in the “archive frenzy” of the current artistic environment.
