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2026 Sonic Shaman Music Festival — Crowdfunding Campaign
"Impossibletosumupinasingleheadline,andyoucan'ttellwhat'sgoingonfromtheline-up—buteveryone⋯
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Satellite Projects
Soundtraces
An archive of Taiwan's modern sound culture, tracing its history from the 1910s to the present through a timeline that spans the music industry, underground music, sound art, and the evolution of performance spaces. The project takes "reverberation" and "noise" as epistemological models, examining the cultural characteristics and social transformations of successive eras — from Japanese colonial rule and martial law through post-martial law opening to globalisation.
Sonic Shaman Festival
A contemporary art music festival conceived by TheCube Project Space, bringing together experimental musicians, sound artists, and thinkers from across Asia with sound as a cross-boundary ritual medium. In a state of collective trance, it probes the frontiers of sonic culture and questions sound's publicness and corporeality in the age of technology.
International Conference of the Curators’ Intensive Taipei 24
An international forum series centred on contemporary curatorial discourse, bringing together curators from around the world to explore curating as a method of knowledge production and cultural critique. Taking the pressing questions of the post-globalisation era as its axis, the forum deepens local curatorial education while building a cross-regional field for critical dialogue.
Press
"What is precious about an independent space, by contrast, is the continued possibility of letting things grow organically, in a human way. We have the flexibility to respond quickly, and more importantly, we can give expression to our own character, our own positions, and those commitments and sensibilities that may not yet be recognized or accepted by the majority. That is the irreplaceable value of an independent space: it is a site where ideas can take root and retain the warmth of lived experience."
—〈TheCube Project Space〉，countercurrent，2026-03-01
"Since the 1990s, the Gongguan district in Taipei has been a vibrant hub for record stores. Scaling from major chains like Rose Records and Tsubasa Records to renowned independent sanctuaries such as Space City, Jasmine Bookstore, White Wabbit Records, and Rotten Blues, it was the ultimate treasure-hunting ground for hardcore music lovers who lived through the era of physical music collecting. Recently, The Kubrick Project—an art space also nestled in Gongguan—launched "The Last CD," a solo exhibition by Tokyo-based artist Lee Han-chiang. Across shifting dimensions of time and space, the exhibition invites everyone to experience and reminisce about the glorious days of the physical record era."
—〈Lee Kan Kyo’s Solo Exhibition “The Last CD” Opens: Recreating Hundreds of Hand-Drawn CD Covers, the Former Supreme Collaborator Takes You Back to the Golden Age of Gongguan’s Record Stores〉，GQ，2026-05-28
