皆積極進入社區，並參與社會運動。
You Purchase Us But We Are Human Beings was a collaboration between the Print & Carve Dept. and the Taiwan International Workers’ Association (TIWA), inviting migrant workers to create a piece of work together through a workshop and a migrant workers’ march in the street with the people during late 2019.
In January 1811, eight years after France was forced by the loss of Haiti, its most profitable colony, to sell Louisiana to the United States, hundreds of people held captive on plantations along the Mississippi River of southeast Louisiana revolted against the planter class.
This new series of photographs by Ibrahima Thiam is based on the mythology of the white horse-man, Maam Ndeuk Daour Mbaye, the protector of the city of Dakar and its twelve Penc, the traditional villages that were owned by the Lébou community and decimated by French colonizers in order to build a modern city.
Since the late 19th century, with the development of capital, transportation, and internet technologies, and the rapid accelerated pace of globalization, the economical, cultural, and knowledge transmission between countries has become increasingly tight, and cross-border movement has become the norm for citizens of the world.
Demian DinéYazhi ’́ s An Infected Sunset consists of excerpts from the artist’s poem of the same name, layered over moving images of alternating bodies of sand and water.
In her work The Sleep Building, artist Yen-Yen Ho proposes a method of interpreting tidal rhythms through human brain wave transformations, using “sleepwalking disorder,” a physiological response that often occurs during the transition from childhood to adolescence, as a metaphor for human consciousness and social relationships in this era, comparing it to the tidal waves on the eve of the full moon, the disorderly energy, and repetitive behaviors of human beings in distress. In this exhibition, a part of the work is presented in the form of video and drawing installation, in which the reconstructed text is interspersed in the furniture pieces, while watching the ebb and flow of a preschooler’s breath mingling with the sound of waves in his sleep.
Luiz Roque employs the vagueness of the present to arouse our imagination about the future, using science fiction as a tool to question dominant understandings of the world.
Ayase Tsukiai is an interactive girl-raising game based on the blue print of a popular adult game (H-Game) from the 1990s.
In 2020, many people across the United States, in the middle of a public health crisis and racial reckoning, are re-thinking what is needed to make communities truly healthy and safe. This library of zines, booklets, and guides created by artists and community organizations based in Chicago provides tools, vision, and inspiration for community transformation.