〈非戰之戰〉,單頻道錄像,15分40秒,2017 藝術家、馬格蘭攝影通訊社及其玟畫廊提供

The War That Never Was ─ Solo Exhibition of Chang Chien-Chi

TheCube Project Space is pleased to present The War That Never Was—Solo Exhibition of Chang Chien-Chi from March 10 to April 29. As the debut of the third phase of the curatorial project Towards Mysterious Realities, this exhibition features not only Chang’s new video and photographic works based on his research into the Cold War, and the interview with his mother and, but also a set of sound installations that he created by appropriating George Orwell’s article You and the Atomic Bomb written in 1945.

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THE OCEAN AFTER NATURE

The Ocean After Nature considers the ocean as a site reflecting the ecological, cultural, political, and economic realities of a globalized world through the work of twenty artists and collectives. These internationally established and emerging artists explore new ways of representing the seascape as a means to identify and critique the various interrelated and chaotic systems of power, such as land-sea divides, the circulation of people and goods, and the vulnerabilities of our ecosystems.

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Night of Multitude

The event is a part of of the ongoing exhibition Till We Have Faces – Creating Disturbances, both performances welcome all audience to join and interact with the performers.

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Till We Have Faces—Creating Disturbances

This exhibition in itself represents the achievements of two projects, namely the thematic lecture series at the 2016 Praxis School and Till We Have Faces, both were led by Huang Sun-Quan, a renowned social activist and cultural researcher.

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TENG Chao-Ming: After All These Years,

TheCube Project Space is pleased to present artist TENG Chao-Ming’s solo exhibition After All These Years, an installation developed by TENG Chao-Ming from his previous piece To Sing or Not to Sing (2014) that was commissioned by TheCube and the exhibition ALTERing-NATIVism: Sound Cultures in Post-War Taiwan.

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螢幕快照 2017-04-17 下午2.28.44

The Fourth White Man Film Festival

Welcome to the fourth edition of the White Man Film Festival, where we focus on films and videos for, by, and about the white man.
The White Man Film Festival is not simply a festival or simply about film, it is more importantly an idea – an idea to contemplate, to consider, and to mourn.
The White Man Film Festival celebrates the diversity of the white man as he treads between knowledge and ignorance.
This festival is not one based on intolerance or bigotry of any sort, nor is it based on love or generosity.
Our theme for the fourth edition of the White Man Film Festival is:
DON’T BE AFRAID TO HATE!

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Towards Mysterious Realities

Sponsored by the 2015 Production Grants to Independent Curators in Visual Arts of National Culture and Arts Foundation of Taiwan, co-organized by TheCube Project Space and TKG Foundation for Arts & Culture, and curated by Amy Cheng, the exhibition Towards Mysterious Realities will open on December 10, 2016 at TKG+ in Taipei.

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Zheng Bo: Weed Party II + Toad Commons

Invited by TheCube Project Space, Chinese artist ZHENG Bo has spent multiple periods in Taipei working as an artist in residence since the summer of 2015. On September 3, 2016, Zheng will present Weed Party II + Toad Commons at TheCube Project Space and the nearby Toad Mountain.

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Working-Through: Vandy Rattana and His Ditched Footages

The Cube Project is pleased to present Cambodian artist Vandy Rattana’s first solo exhibition in Taiwan, titled Working-Through: Vandy Rattana and His Ditched Footages, curated by Fang-Tze Hsu. Taking Rattana’s poetry writing, translating, and publishing as a point of departure, the exhibition juxtaposes these newly established creative exercises after his relocation to Taiwan with his practices of image-making since 2009. The exhibition not only examines Vandy’s philosophical continuum between journalistic photography and an experimental approach towards filmmaking but also concerns his re-contextualization of political reality regarding the mainstream memory politics of the post-Khmer Rouge era. As a way to situate the internal connections between those who have been muted by the grand narrative of history and the collective sensorial agency of the Mass, Working-Through delves into Vandy’s psychological cartography, reified by the artist’s ceaseless revisiting of long-forgotten historical sites.

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